With a Chrome extension, mobile app and desktop view, this is a management system for busy people on the go. With the ability to easily manage multiple accounts, including Twitter, Facebook, LinkedIn, and Instagram, Agorapulse doesn’t stop there. (Full disclosure: This is the blog for Agorapulse. AgorapulseĪgorapulse is a real and affordable alternative to TweetDeck with some cheeky added extras thrown in. Therefore, it’s great for a big brand looking to gain additional functionality but not a good option for agencies. It also provides heaps of insightful Twitter stats to understand the social value of your followers and your overall productivity.īUT Tweepi only links to one Twitter account and not multiple ones like TweetDeck. This is a great tool to clean up your Twitter account and get rid of irrelevant or inactive users. TweetDeck alternative: Tweepi The verdict Tweepi has a remote account management option, which allows busy users to be more automated with their follows whilst also providing useful follower data. Tweepi offers a one-screen dashboard with up to 200 users displayed on each page (platinum solution). People are using Tweepi because it’s a neat little tool that cuts down on your management time while also giving you a little extra in the way of functionality. However, this tool doesn’t come cheap and for a social media manager like myself, with 10 + accounts, it all adds up When you consider that’s just for Twitter, it’s a significant expense. ManageFlitter is certainly a useful Twitter management tool for brands with multiple channels and those looking for better analytics, something TweetDeck never really provided. “Copy Followers” allows you to filter and copy another person’s followers and a much deeper search which allows you to filter by keywords, followers, age, location, and much more. Text and image via | Video via Frieze via lensculture.ManageFlitter offers you much more than multiple account management it also offers you access to some of the meatier analytics available.Īdditional features not included on TweetDeck are “Unfollow,” which will immediately show you the people who you’ve followed who don’t follow you back. saids Richard- (Interview by Joerg Colberg) Kind of film that is sensitive to infrared light. Require the knowledge that these images are the result of a particular With that specificity, and a deeper understanding of the work does Reveal the invisible, and a host of other factors. That medium, its genesis as a military technology, its potential to The decision to use analogue infrared film refers to the specificity of At the heart of the project, as Mosse states, is an attempt to bring “two counter-worlds into collision: art’s potential to represent narratives so painful that they exist beyond language, and photography’s capacity to document specific tragedies and communicate them to the world.” The Enclave immerses the viewer in a challenging and sinister world, exploring aesthetics in a situation of profound human suffering. Ben Frost’s ambient audio composition, comprised entirely of recordings gathered in the field in eastern DRC, hovers bleakly over the unfolding tragedy. The resulting imagery, shot on 16mm infrared film by cinematographer Trevor Tweeten, renders the jungle war zone in a disorienting psychedelic palette. Mosse brings a discontinued military surveillance film to this situation, representing an intangible conflict with a medium that registers an invisible spectrum of infrared light, and was originally designed for camouflage detection. Trevor Tweeten (cinematographer) shooting Arriflexġ6mm camera mounted on Steadicam in South Masisi, Nov 2012. It is a search for more adequate strategies to represent a forgotten African tragedy in which, according to the International Rescue Committee, at least 5.4 million people have died of war-related causes in eastern Congo since 1998.Ī long-standing power vacuum in eastern Congo has resulted in a horrifying cycle of violence, a Hobbesian ‘state of war’, so brutal and complex that it resists communication, and goes unseen in the global consciousness. The resulting installation, The Enclave, is the culmination of Mosse’s attempt to rethink war photography. Throughout 2012, Richard Mosse and his collaborators Trevor Tweeten and Ben Frost travelled in eastern Democratic Republic of Congo, infiltrating armed rebel groups in a war zone plagued by frequent ambushes, massacres and systematic sexual violence.
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